The Turkish cinema industry has come a long way from the crazed years of the 60s and 70s when it mass-produced low-quality, copy-and-paste movies solely for the Turkish audience. Turkish TV lacked productivity as TRT, the official government channel, held complete sway over the production of TV series and movies in the absence of private competition. 1980s saw the complete drying up of the well for both industries.
Times have clearly changed. After the first private Turkish TV station was established in the early 1990s, both industries received a boost due to incoming investment and lessening government regulations. The advertisement pie has enlarged and the sectors flourished ever since. Admittedly, the relationship between these industries had been uneasy at times as the Turkish audience swung wildly from one to other. Increasing popularity of the internet and the rise of new and portable computer and laptop technologies further complicated this relationship. Nevertheless, a balance has been established, though and the key players of both industries have fixed their eyes on the surrounding international markets.
The international journey of Turkish TV started when Asmali Konak (Vine-covered Mansion), a very popular Turkish TV series broadcasted by ATV channel between 2002 and 2004, was noticed and bought by a Lebanon based Arabic TV channel. Iranian, Syrian and Egyptian TV channels followed suit and Asmali Konak stayed on TV screens five years after its last episode aired in 2004 in Turkey. Kurtlar Vadisi (Valley of the Wolves) armed with provocative and controversial characters and an aggressive anti-Israel political message quickly became an international phenomenon. When Pana Film, producer of the TV series, funded a very successful cinema adaptation in 2005, the USA’s Joint Chief of Staff and German Foreign Affairs minister felt obliged to direct public criticism at the movie and its message. The success of the aforementioned series opened the floodgates. The list of Turkish TV series currently on air outside Turkey is long and continually expanding. Furthermore, Balkan and Azerbaijani TV channels are joining in on the action and intellectual circles are buzzing with claims that Turkey is spreading her cultural influence throughout what was once the Ottoman Empire.
Similarly, the Turkish cinema industry has been booming outside the Turkish borders. Influential Turkish directors such as Nuri Bilge Ceylan, Cagan Irmak and Fatih Akin are producing critically acclaimed movies recognized by the likes of the Cannes Film Festival juries. Going beyond the art house genre, Turkish mainstream movies are making names for themselves in neighboring countries as well as in Europe.
Confident and ambitious Turkish media executives are rumored to be exploring whether it would be a smart move to enter Pakistan and India. They are looking for potential partners for selling their movies and TV series. I am not entirely confident that this is a promising project. Bollywood is a hundred pound gorilla in the room and would not be easily shaken on its own ground. I would recommend funding joint movies and series and thus creating a cultural synergy that would not alienate audiences. I will be closely following the latest developments to see whether Turkish execs will put their money where their mouth is.












